Lavoura Arcaica: tragic foreshadowing in the novel and the movie
Lavoura Arcaica (1975), by Raduan Nassar, is a text that spectrapoints, in the domain of contemporary brazilian, not only because of the thematic universe, but also because of the way in which the poetically elaborated language clashes with the production of the 70s, whose linguistic use is predomin...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Brasil |
| Institución: | Universidade Estadual do Oeste do Paraná (UNIOESTE) |
| Repositorio: | Travessias (Cascavel. Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.e-revista.unioeste.br:article/29772 |
| Acceso en línea: | https://e-revista.unioeste.br/index.php/travessias/article/view/29772 |
| Access Level: | acceso abierto |
| Palabra clave: | Lavoura Arcaica romance filme trágico Novel Movie Tragic |
| Sumario: | Lavoura Arcaica (1975), by Raduan Nassar, is a text that spectrapoints, in the domain of contemporary brazilian, not only because of the thematic universe, but also because of the way in which the poetically elaborated language clashes with the production of the 70s, whose linguistic use is predominantly more referential. The study, therefore, seeks to think about the way the tragic, as to the consequence materializes in the death of Ana, arises both in the intercourse of an epileptic narrator, in its essence, in the novel, as well as the use of a subjective camera that singularizes and particularizes images, case of the homologous film, from 2001, directed by Luiz Fernando Carvalho. For that, texts that deal with the tragic and also some studies of Pasolini will be used, with regard to the free indirect camera. |
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