A fotografia como experiência de si: álbuns virtuais e imagens íntimas
In a world smothered by images of various natures, this paper aims to investigate how the practice of producing and publishing photos of privacy can transform the day-to-day life of subjects, enabling them another experience of themselves and the space where they live. It is also to initiate the sea...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2013 |
| País: | Brasil |
| Institución: | Universidade Federal do Ceará (UFC) |
| Repositorio: | Repositório Institucional da Universidade Federal do Ceará (UFC) |
| Idioma: | portugués |
| OAI Identifier: | oai:repositorio.ufc.br:riufc/50138 |
| Acceso en línea: | http://www.repositorio.ufc.br/handle/riufc/50138 |
| Access Level: | acceso abierto |
| Palabra clave: | Fotografia Álbum Comunicação |
| Sumario: | In a world smothered by images of various natures, this paper aims to investigate how the practice of producing and publishing photos of privacy can transform the day-to-day life of subjects, enabling them another experience of themselves and the space where they live. It is also to initiate the search for an aesthetics of everyday life, trying to understand why, after all, the banal, the next and the common have won, increasingly prominent in contemporary visual productions. For this, we will establish a dialogue with the virtual album of paraense photographer Tayná Borges produced over two years and deleted by her in 2010. |
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