On the question of the psychology of the actor’s creation
The question of the psychology of the actor and theatre creation is both extremely old and entirely new. On the one hand, there seems to have been no significant theatrical pedagogue or critic, no theatre man in general who, in one way or another, had not raised this issue and who, in their practica...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2023 |
| País: | Brasil |
| Institución: | Universidade Estadual de Campinas (UNICAMP) |
| Repositorio: | Pro-Posições (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.periodicos.sbu.unicamp.br:article/8675482 |
| Acceso en línea: | https://periodicos.sbu.unicamp.br/ojs/index.php/proposic/article/view/8675482 |
| Access Level: | acceso abierto |
| Palabra clave: | Criação teatral Psicologia do ator Theatre creation Actor psychology |
| Sumario: | The question of the psychology of the actor and theatre creation is both extremely old and entirely new. On the one hand, there seems to have been no significant theatrical pedagogue or critic, no theatre man in general who, in one way or another, had not raised this issue and who, in their practical activity, teaching and evaluations, had not started from some understanding of the actor's psychology. |
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