L'étranger and the mediatic transposition Killing an Arab
The article aims at analyzing mediact transposition of Albert Camus’ novel L’étranger (1942) into the song Killing an Arab (1978) by the British band The Cure. Excerpts from the song and the novel were discussed having as historical background the context for the production of both works and as theo...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2018 |
| País: | Brasil |
| Institución: | Universidade de Santa Cruz do Sul (UNISC) |
| Repositorio: | Signo (Santa Cruz do Sul. Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.online.unisc.br:article/10676 |
| Acceso en línea: | https://seer.unisc.br/index.php/signo/article/view/10676 |
| Access Level: | acceso abierto |
| Palabra clave: | Intermediality. Transmodalization. Intertextuality. Albert Camus. The Cure. Intermidialidade. Transmodalização. Intertextualidade. Albert Camus. The Cure. |
| Sumario: | The article aims at analyzing mediact transposition of Albert Camus’ novel L’étranger (1942) into the song Killing an Arab (1978) by the British band The Cure. Excerpts from the song and the novel were discussed having as historical background the context for the production of both works and as theoretical framework the studies on intertextuality by Koch (2012) and Marcuschi (2008). Gaudreault (2008), Clüver (2007), Rajewski (2012) and Genette (2006) were the basis for the discussions on transmodalization and intermediality. Silva (2013) was the reference for the direct analysis and contrast of the excerpts.. |
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