Tel Aviv Noir: crimes e criminosos em Etgar Keret e Assaf Gavron

This research proposes the study of the emergence and significance of noir literature in Israel in contemporary times, in contrast to the traditional Hebrew literature with a religious background, and the traditional Israeli literature, which was intertwined with the question of national identity. A...

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Detalles Bibliográficos
Autor: Juliano Klevanskis Candido
Tipo de recurso: tesis doctoral
Estado:Versión publicada
Fecha de publicación:2022
País:Brasil
Institución:Universidade Federal de Minas Gerais (UFMG)
Repositorio:Repositório Institucional da UFMG
Idioma:portugués
OAI Identifier:oai:repositorio.ufmg.br:1843/45017
Acceso en línea:http://hdl.handle.net/1843/45017
Access Level:acceso abierto
Palabra clave:Etgar Keret
Assaf Gavron
Literatura Israelense
Noir
Tel Aviv Noir
Keret, Etgar, 1967- – Tel Aviv Noir – Crítica e interpretação
Assaf, Gavron – Tel Aviv Noir – Crítica e interpretação
Contos israelenses – História e crítica
Literatura policial – História e crítica
Israel e a diáspora
Descripción
Sumario:This research proposes the study of the emergence and significance of noir literature in Israel in contemporary times, in contrast to the traditional Hebrew literature with a religious background, and the traditional Israeli literature, which was intertwined with the question of national identity. As another comparative term, the thesis brings to the fore, to some extent, the literature of the Jewish diaspora. Based on these elements, the investigation of the criminal genre in contemporary Israeli literature is developed with a focus on the authorial work of writers Etgar Keret and Assaf Gavron and, in particular, on their work as organizers of the collection of short stories Tel Aviv Noir, published in 2014, in which the writers share space with twelve other writers. As a starting point for the theoretical work, the short stories “Allergies”, by Keret, and “Center”, by Gavron, contained in that anthology, were translated and analyzed.