Concrete poetry, dramaturgy and performance: Reflections for the materialization of words and presences
This article dwells on the dramaturgy, spatiality and scenic materialization from the book-object “Viva Vaia: Poesia 1949-1979” by Augusto de Campos, one of the forerunners of Concrete Poetry in Brazil. The reflections herein are also guided by the materialization of some poems from the anthology th...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2023 |
| País: | Brasil |
| Institución: | Universidade Federal de Minas Gerais (UFMG) |
| Repositorio: | Pós (Universidade Federal de Minas Gerais. Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:periodicos.ufmg.br:article/41364 |
| Acceso en línea: | https://periodicos.ufmg.br/index.php/revistapos/article/view/41364 |
| Access Level: | acceso abierto |
| Palabra clave: | Dramaturgia Poesia Concreta Performance Teatro Performativo Estudos da Presença Dramaturgy Concrete Poetry Performative Theater Presence Studies Dramaturgie Poésie Concrète Théâtre Performatif Études de Présence |
| Sumario: | This article dwells on the dramaturgy, spatiality and scenic materialization from the book-object “Viva Vaia: Poesia 1949-1979” by Augusto de Campos, one of the forerunners of Concrete Poetry in Brazil. The reflections herein are also guided by the materialization of some poems from the anthology through a creative process carried out between 2020 and 2021 by undergraduate students in Performing Arts at Unicamp, using the object-book as a performative dramaturgy. In this process of creation and transcreation, several intersections were observed between performance art, the Performative Theatre and the Presence Studies. |
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