Performance and memory in televisional expressions
This article proposes to understand how constitutive aspects of performances and memory operate in television productions that are built in the interface with popular music. From the performance studies and with analytical emphasis on the text-context relationship, we discuss how issues related to i...
| Autores: | , , |
|---|---|
| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2017 |
| País: | Brasil |
| Institución: | Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
| Repositorio: | Revista FAMECOS: Mídia cultura e tecnologia |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.revistaseletronicas.pucrs.br:article/26917 |
| Acceso en línea: | https://revistaseletronicas.pucrs.br/revistafamecos/article/view/26917 |
| Access Level: | acceso abierto |
| Palabra clave: | Memory Television Popular music Television y memory Memoria Televisión Música Popular Televisión y memoria Performance Memória Televisão Televisão e memória |
| Sumario: | This article proposes to understand how constitutive aspects of performances and memory operate in television productions that are built in the interface with popular music. From the performance studies and with analytical emphasis on the text-context relationship, we discuss how issues related to information discourse and fable making as a current pattern of narrative construction based on the analysis of excerpts from the Ensaio program, broadcast by TV Cultura since the 1990s and the Jornal da MTV, which was screened between 2002 and 2007 by the extinct MTV Brasil. These patterns contribute to the production of a provisional contextual stability of the products and, in this sense, also contribute to the construction and perpetuation of memory. |
|---|