“The way of the hinterland”
Throughout this short article we seek to present some aspects of the transformation of Brazilian country music, through the influence of the Phonographic Industry and the performances of its interpreters, analyzing specifically on this stretch the adjustments made by Sergio Reis to fit into...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2016 |
| País: | Brasil |
| Institución: | Universidade Federal de Mato Grosso do Sul (UFMS) |
| Repositorio: | Albuquerque (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:periodicos.ufms.br:article/2143 |
| Acceso en línea: | https://periodicos.ufms.br/index.php/AlbRHis/article/view/2143 |
| Access Level: | acceso abierto |
| Palabra clave: | Phonographic Industry country music Sérgio Reis Indústria Fonográfica música rural |
| Sumario: | Throughout this short article we seek to present some aspects of the transformation of Brazilian country music, through the influence of the Phonographic Industry and the performances of its interpreters, analyzing specifically on this stretch the adjustments made by Sergio Reis to fit into the rural Brazilian musical tradition, as this leaves the young interpret music with the end of the movement known as the young Guard and adapts superbly to the designs of country music. |
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