Avatares da peça bem-feita na dramaturgia brasileira contemporânea
By analysing the work of three contemporary Brazilian playwrights, Vinícius Calderoni, Jô Bilac and João Sanches, we set out to recognize in contemporary Brazilian playwriting new avatars of the well-made play. To do so, we start by describing the formal and ideological pattern inscribed in this kin...
| Autores: | , , |
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| Tipo de documento: | artigo |
| Estado: | Versão publicada |
| Data de publicação: | 2019 |
| País: | Brasil |
| Recursos: | Universidade Federal de Minas Gerais (UFMG) |
| Repositório: | Repositório Institucional da UFMG |
| Idioma: | português |
| OAI Identifier: | oai:repositorio.ufmg.br:1843/54283 |
| Acesso em linha: | https://doi.org/10.22456/2236-3254.88658 http://hdl.handle.net/1843/54283 https://orcid.org/0000-0003-1281-2092 https://orcid.org/0000-0002-7769-1108 https://orcid.org/0000-0002-4953-4770 |
| Access Level: | Acceso aberto |
| Palavra-chave: | Teatro brasileiro contemporâneo Dramaturgia brasileira Peça bem-feita Teatro brasileiro Teatro (Literatura) - Técnica |
| Resumo: | By analysing the work of three contemporary Brazilian playwrights, Vinícius Calderoni, Jô Bilac and João Sanches, we set out to recognize in contemporary Brazilian playwriting new avatars of the well-made play. To do so, we start by describing the formal and ideological pattern inscribed in this kind of playwriting in the 19th century, in order to establish a comparison with some texts of Brazilian dramaturgy in the 21st century. |
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