Corpo híbrido: corpo cotidiano e corpo artístico na prática da performance art
This text focuses on the production of Contemporary Performance Art, considered as a Language which arises from a movement of exchange and mixing of information, different languages and systems immersed in daily life, providing a hybrid action. More objectively, deals with the theme of the body as d...
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| Tipo de recurso: | tesis de maestría |
| Estado: | Versión publicada |
| Fecha de publicación: | 2014 |
| País: | Brasil |
| Institución: | Universidade Estadual Paulista (UNESP) |
| Repositorio: | Repositório Institucional da UNESP |
| Idioma: | portugués |
| OAI Identifier: | oai:repositorio.unesp.br:11449/126335 |
| Acceso en línea: | http://hdl.handle.net/11449/126335 http://www.athena.biblioteca.unesp.br/exlibris/bd/cathedra/15-07-2015/000841200.pdf |
| Access Level: | acceso abierto |
| Palabra clave: | Arte moderna - Sec. XX Arte moderna - Séc. XXI Instalações (Arte) Multimídia (Arte) Performance (Arte) Installations (Art) |
| Sumario: | This text focuses on the production of Contemporary Performance Art, considered as a Language which arises from a movement of exchange and mixing of information, different languages and systems immersed in daily life, providing a hybrid action. More objectively, deals with the theme of the body as discussed in this language, while discussing the Artistic Body and Daily Body, as well as its potential as Corpomídia, addressing conceptual issues clarified by comments on Joseph Beuys, Bruce Nauman, Yoko Ono, Rodrigo Braga Tehching Hsieh and Pedro Canola performances. |
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