The trickster wink: storytelling and resistance in Tomson Highway's Kiss of the Fur Queen
This essay explores how Tomson Highway uses the narrative genre as a space to perform a speech act of resistance against colonialism through an approach that departs from contemporary discussions on genre theory and theories of storytelling. Highway´s novel Kiss of the Fur Queen reaffirms the proces...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2009 |
| País: | Brasil |
| Institución: | Universidade Federal do Rio Grande (FURG) |
| Repositorio: | Repositório Institucional da FURG (RI FURG) |
| Idioma: | inglés |
| OAI Identifier: | oai:repositorio.furg.br:1/2354 |
| Acceso en línea: | http://repositorio.furg.br/handle/1/2354 |
| Access Level: | acceso abierto |
| Palabra clave: | Tomson Highway Storytelling and resistance |
| Sumario: | This essay explores how Tomson Highway uses the narrative genre as a space to perform a speech act of resistance against colonialism through an approach that departs from contemporary discussions on genre theory and theories of storytelling. Highway´s novel Kiss of the Fur Queen reaffirms the process of adaptation that is intrinsic to Indigenous cultures and to the survival of the Trickster and promotes a healing experience through the recovery of Cree storytelling. John Frow’s concept of genre as a performative structure that shapes the world in the very process of putting it into speech contributes to the focus on Indigenous storytelling rather than on Western literary categories. |
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