Amelia was a real woman: the memory of Amelia Carolina de Freitas Bevilaqua in the biographies of her husband, Clovis Bevilaqua
http://dx.doi.org/10.5007/1807-1384.2014v11n2p138Based on Clovis Bevilaqua’s four biographies which present three stigmas of the character - being the son of a priest, engaged in a large grammatical legal controversy with Rui Barbosa in making the Civil Code of 1917 and married to a wife of exotic m...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2014 |
| País: | Brasil |
| Institución: | Universidade Federal de Santa Catarina (UFSC) |
| Repositorio: | INTERthesis |
| Idioma: | portugués |
| OAI Identifier: | oai:periodicos.ufsc.br:article/34347 |
| Acceso en línea: | https://periodicos.ufsc.br/index.php/interthesis/article/view/1807-1384.2014v11n2p138 |
| Access Level: | acceso abierto |
| Sumario: | http://dx.doi.org/10.5007/1807-1384.2014v11n2p138Based on Clovis Bevilaqua’s four biographies which present three stigmas of the character - being the son of a priest, engaged in a large grammatical legal controversy with Rui Barbosa in making the Civil Code of 1917 and married to a wife of exotic modes - we discuss the built memory of Amelia Carolina Freitas Bevilaqua, who is marked as a pioneer of the feminist movement in Brazil and also upstart writer who aspired to join the Brazilian Academy of Letters. Among other negative adjectives, she was sloppy, not vain and misaligned in dress, futile or adulterous. |
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