BODY, DANCE AND CREATION: CONCEPTS IN MOTION
This is a reflection on the processes of creation in contemporary dance, the engagement of the body in action, investments in the sensorial, the risks of movement. The methodology concerns the narrative of the experiences of three choreographers and their creative processes: Mathilde Monnier, Philip...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2010 |
| País: | Brasil |
| Institución: | Universidade Federal do Rio Grande do Sul (UFRGS) |
| Repositorio: | Revista Movimento (Porto Alegre. Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:seer.ufrgs.br:article/10678 |
| Acceso en línea: | https://seer.ufrgs.br/index.php/Movimento/article/view/10678 |
| Access Level: | acceso abierto |
| Palabra clave: | Corpo humano. Dança. Criatividade. Estética. Epistemologia Cuerpo humano. Baile. Creatividad. Estética. Baile Human body. Dancing. Creativeness. Esthetics. Dancing |
| Sumario: | This is a reflection on the processes of creation in contemporary dance, the engagement of the body in action, investments in the sensorial, the risks of movement. The methodology concerns the narrative of the experiences of three choreographers and their creative processes: Mathilde Monnier, Philippe Decouflé, Julyen Hamilton. The interpretation favored an aesthetic reflection on the basis of Paul Valéry, Gilles Deleuze, Maurice Merleau-Ponty. The concepts developed allow to reflect on the plasticity of the body and its capacity to incorporate the world through the creation of an expressive space in which it installs the dramaturgy of the body, space, time, the symbolic and imaginary worlds. |
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