The Modern Look and the Strangeness Effect
This paper focuses on a specific characteristic of the modern photograph, the strangeness effect. It seeks to retrace the paths taken since it was incorporated in the photograph, becoming a remarkable aesthetic feature to Russian and German vanguards of the interwar, until it was fully established a...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2015 |
| País: | Brasil |
| Institución: | Centro Universitário La Salle (Unilasalle) |
| Repositorio: | Mouseion (Canoas) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.revistas.unilasalle.edu.br:article/2319 |
| Acceso en línea: | https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/1981-7207.15.4 |
| Access Level: | acceso abierto |
| Palabra clave: | Visual Culture Modern Photograph Photograph Avant-Garde Cultura visual Fotografia moderna Vanguardas fotográficas Cultura visual e fotografia |
| Sumario: | This paper focuses on a specific characteristic of the modern photograph, the strangeness effect. It seeks to retrace the paths taken since it was incorporated in the photograph, becoming a remarkable aesthetic feature to Russian and German vanguards of the interwar, until it was fully established as part of a modern visual lexicon. At the same time, its progressive loss of political intention as it was incorporated in the visual culture during the second half of the 20th century is stressed. |
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