The scenic space as a chiasmatic relationship
This article proposes to establish direct relations between Merleau-Ponty's phenomenology, more specifically with the notion of chiasma, and the theatrical scenic space, through the review of some authors and some scenic situations thought especially for such relations. Based on philosophical n...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2021 |
| País: | Brasil |
| Institución: | Universidade do Estado de Santa Catarina (UDESC) |
| Repositorio: | Urdimento (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai::article/18554 |
| Acceso en línea: | https://www.revistas.udesc.br/index.php/urdimento/article/view/18554 |
| Access Level: | acceso abierto |
| Palabra clave: | Scenography Relational space Chiasma Scenic space Phenomenology Escenografía Espacio relacional Quiasma Espacio escénico Fenomenología Cenografia Espaço relacional Espaço cênico Fenomenologia |
| Sumario: | This article proposes to establish direct relations between Merleau-Ponty's phenomenology, more specifically with the notion of chiasma, and the theatrical scenic space, through the review of some authors and some scenic situations thought especially for such relations. Based on philosophical notions, with examples commented by Merleau-Ponty, such as the relationship between figure and background, for example, we consider the importance of the viewer's point of view, taken as an element of effectuation of the phenomenological problem, since the relation of the spectacle with the viewer is a founding element of contemporary theatrical poetics. |
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