Radio, scène et documentaire sonore de recherche: : explorations sonores de la peinture de Mark Rothko
The sound scenes proposed in this article aim to expand the notion by looking at three sound forms linked together by the aesthetic experience that Mark Rothko's painting provokes. The aim is to observe how the sound documentary on the creation of Rothko produced by Claire ingrid Cottanceau and...
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| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2024 |
| País: | Brasil |
| Recursos: | Universidade Federal do Rio Grande do Sul (UFRGS) |
| Repositorio: | Revista Brasileira de Estudos da Presença |
| Idioma: | francés |
| OAI Identifier: | oai:seer.ufrgs.br:article/138575 |
| Acesso em linha: | https://seer.ufrgs.br/index.php/presenca/article/view/138575 |
| Access Level: | acceso abierto |
| Palavra-chave: | Documentaire de Création Processus de Création Dramaturgie Sonore Rothko Untitled#2 Documentaire Sonore de Recherche |
| Resumo: | The sound scenes proposed in this article aim to expand the notion by looking at three sound forms linked together by the aesthetic experience that Mark Rothko's painting provokes. The aim is to observe how the sound documentary on the creation of Rothko produced by Claire ingrid Cottanceau and Olivier Mellano for the France Culture radio channel provided the impetus for the stage form Rothko Untitled #2 conceived by the same authors, and how this creative process gave rise to the production of a sound research documentary by the author of this article. |
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