The scene costume and the avant-garde performance manifestations in the early twentieth century
This study brings a brief analytical panorama of the costumes in the performance manifestations of the European avant-garde movements of the early 20th century which emerged under the context of world wars. From the “performance” conceptualizations in Glusberg (2005) and the “scene costume”, in Vian...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2019 |
| País: | Brasil |
| Institución: | Associação Brasileira de Estudos e Pesquisas em Moda (Abepem) |
| Repositorio: | Revista dObra[s] |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.dobras.emnuvens.com.br:article/911 |
| Acceso en línea: | https://dobras.emnuvens.com.br/dobras/article/view/911 |
| Access Level: | acceso abierto |
| Palabra clave: | Scene costume. Performance. Avant-garde. World Wars. Traje de cena. Performance. Vanguardas. Guerras Mundiais. |
| Sumario: | This study brings a brief analytical panorama of the costumes in the performance manifestations of the European avant-garde movements of the early 20th century which emerged under the context of world wars. From the “performance” conceptualizations in Glusberg (2005) and the “scene costume”, in Viana (2015), the purpose was to investigate the contributions of the stage dress to artistic actions of the futurists, dadaists, surrealists and in the conceptions of the Bauhaus School. It can be observed that, in contrast to the nihilism of the war experience, the costumes contributed to express the restlessness of the artists of this period, and are characterized by the boldness and exploration of forms that resized not only the human body but also its potentialities as a scenic element. |
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