Ficção e rastros documentais: cotidiano, espaço e território no cinema de Miguel Gomes
With a cultural approach applied to the audiovisual field, this article aims at problematizing the concepts of everyday life, space and territory within the representation of physical space and the production of territorialities. We regard movies that combine documentary dimensions in audiovisual fi...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2017 |
| País: | Brasil |
| Institución: | Universidade de São Paulo (USP) |
| Repositorio: | Significação (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:revistas.usp.br:article/125130 |
| Acceso en línea: | https://www.revistas.usp.br/significacao/article/view/125130 |
| Access Level: | acceso abierto |
| Palabra clave: | Cotidiano espaço território cinema. Everyday life physical space territory |
| Sumario: | With a cultural approach applied to the audiovisual field, this article aims at problematizing the concepts of everyday life, space and territory within the representation of physical space and the production of territorialities. We regard movies that combine documentary dimensions in audiovisual fiction narratives. The audiovisual product of analysis was the work of the Portuguese filmmaker Miguel Gomes, especially his film Arabian Nights (2015), divided into three volumes. |
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