Um olho aberto na noite: em torno dos fotogramas de Éric Rondepierre
This paper emphasizes some of the engagements of the photographic language of Éric Rondepierre, an artist particularly concerned with the metamorphoses of the image through the time in the cinematographic apparatus. Rondepierre’s work as an archivist and archaeologist of photograms, these frozen ima...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2017 |
| País: | Brasil |
| Institución: | Universidade Federal de Goiás (UFG) |
| Repositorio: | Visualidades (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.revistas.ufg.br:article/46433 |
| Acceso en línea: | https://revistas.ufg.br/VISUAL/article/view/46433 |
| Access Level: | acceso abierto |
| Palabra clave: | Photography Cinema Éric Rondepierre Fotografia Cine |
| Sumario: | This paper emphasizes some of the engagements of the photographic language of Éric Rondepierre, an artist particularly concerned with the metamorphoses of the image through the time in the cinematographic apparatus. Rondepierre’s work as an archivist and archaeologist of photograms, these frozen images of a film, has shaped in the last 30 years a surprising visuality anchored in spectral, hybrid and discontinuous figurations. In narrating the initiatic journey of a viewer looking for the image-matter of films, his novel La Nuit Cinéma (2005), a fictionalization of his artistic making, serves in this study to carry out an investigation of its most significant elements: limit, deviation, chance, emptiness, operators of a latency that helps to rethink the efficacies of the visual and the mechanisms of the imaginary in times of an uninterrupted narrative flow. |
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