Between Christianity and a project of a tradition: Jerusalén conquistada, by Lope de Vega
This article aims to locate the Jerusalén conquistada, by Lope de Vega within his religious production and the Golden Centuries in Spain. Published in 1609, Jerusalén is the result of the most ambitious project by Lope de Vega, a Spanish writer famous for theater, but who wrote several epic poems be...
| Autor: | |
|---|---|
| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2021 |
| País: | Brasil |
| Institución: | Universidade de São Paulo (USP) |
| Repositorio: | Caracol (São Paulo. Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:revistas.usp.br:article/179733 |
| Acceso en línea: | https://www.revistas.usp.br/caracol/article/view/179733 |
| Access Level: | acceso abierto |
| Palabra clave: | Lope de Vega Jerusalén Conquistada Epic poetry Poesia épica |
| Sumario: | This article aims to locate the Jerusalén conquistada, by Lope de Vega within his religious production and the Golden Centuries in Spain. Published in 1609, Jerusalén is the result of the most ambitious project by Lope de Vega, a Spanish writer famous for theater, but who wrote several epic poems between the end of the 16th century and the first decades of the 17th. Using the Italian model of Torquato Tasso, with his Gerusalemme liberata (1581), Lope wrote his narrative to praise the Spanish court of the Austrias and, at the same time, to acquire on Spanish soil the status that Luís de Camões had achieved in Portugal. |
|---|