Impuesto a la carne by Diamela Eltit: a ready-made book
Based on chilean writer Diamela Eltit’s literary and artistic career, this article aims to investigate a possible edge of the following links between literature and art: the relationship of the novel Impuesto a la carne (2010) with Duchamp’s ready-made as a figure of art that unfolds in her prose. T...
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| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Brasil |
| Recursos: | Universidade de São Paulo (USP) |
| Repositorio: | Caracol (São Paulo. Online) |
| Idioma: | español |
| OAI Identifier: | oai:revistas.usp.br:article/187640 |
| Acesso em linha: | https://www.revistas.usp.br/caracol/article/view/187640 |
| Access Level: | acceso abierto |
| Palavra-chave: | Diamela Eltit Ready-made book Voice Bodies Libro ready-made Voz Cuerpos |
| Resumo: | Based on chilean writer Diamela Eltit’s literary and artistic career, this article aims to investigate a possible edge of the following links between literature and art: the relationship of the novel Impuesto a la carne (2010) with Duchamp’s ready-made as a figure of art that unfolds in her prose. To carry out this hypothesis, we start from Argentine writer César Aira’s conceptualizations on the Duchampian ready-made. This intersection allows us to inquire about the configurations of the characters body and voice in the novel, from an artistic perspective, beyond the biopolitical analyzes developed by literary criticism. |
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