POETRY SLAM: BY A COMMUNITY THAT COMES
With its bodily performance, its ludic and the desire to share in the common and everyday sphere, the poetry slam manifests itself as a resistant poetic expression both in terms of themes and forms, innovating the places of speech and the vehicles of literary circulation. As a plural and democratic...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2021 |
| País: | Brasil |
| Institución: | Universidade Federal da Bahia (UFBA) |
| Repositorio: | Revista Estudos Linguísticos e Literários (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.periodicos.ufba.br:article/43494 |
| Acceso en línea: | https://periodicos.ufba.br/index.php/estudos/article/view/43494 |
| Access Level: | acceso abierto |
| Palabra clave: | Poetry slam Comunidade Resistência Poetry Slam Community Resistance |
| Sumario: | With its bodily performance, its ludic and the desire to share in the common and everyday sphere, the poetry slam manifests itself as a resistant poetic expression both in terms of themes and forms, innovating the places of speech and the vehicles of literary circulation. As a plural and democratic event, based on the open experience of the encounter and on the silenced and marginalized places of speech taken, the poetic slams convey a differentiated form of community: inoperative, inadmissible and impossible, in line with the reflections proposed by authors such as Jean-Luc Nancy, Esposito, Blanchot and Agamben. In the deconstruction of the modern meaning of community, taken as an attributive and homogeneous nucleus, lies its resilience, as a renewer of spaces, discourses and existences. |
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