Performing the risk: four contemporary obituaries in Alexander McQueen
This article discusses the hybrid creation of British designer Alexander McQueen from his relational aspects with the theatre and performing arts. Starting from this expanded notion, we discuss how the social imaginary of risk is appropriate as a plastic material in the creation of some of his fashi...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2020 |
| País: | Brasil |
| Institución: | Universidade Estadual de Campinas (UNICAMP) |
| Repositorio: | Conceição/Conception |
| Idioma: | portugués inglés |
| OAI Identifier: | oai:ojs.periodicos.sbu.unicamp.br:article/8659720 |
| Acceso en línea: | https://periodicos.sbu.unicamp.br/ojs/index.php/conce/article/view/8659720 |
| Access Level: | acceso abierto |
| Palabra clave: | Performance Stylist-artist Alexander McQueen Disenãdor-artista Estilista-artista |
| Sumario: | This article discusses the hybrid creation of British designer Alexander McQueen from his relational aspects with the theatre and performing arts. Starting from this expanded notion, we discuss how the social imaginary of risk is appropriate as a plastic material in the creation of some of his fashion-performances throughout the 1990s and 2000s. |
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