Petals of blood: nature, violence, and redemption in post-colonial Kenya
This paper analyzes the process of domestication of the African natural environment, as portrayed in Kenyan writer and critic Ngugi wa Thiong’o’s Petals of Blood (1991), in order to understand how the novel represents the relation between cultural domination and the economic exploitation of the land...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2014 |
| País: | Brasil |
| Institución: | Universidade Estadual de Maringá (UEM) |
| Repositorio: | Acta Scientiarum. Language and Culture (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:periodicos.uem.br/ojs:article/21613 |
| Acceso en línea: | http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/21613 |
| Access Level: | acceso abierto |
| Palabra clave: | colonialist modernity cultural domination agency utopia modernidade colonialista dominação cultural agência |
| Sumario: | This paper analyzes the process of domestication of the African natural environment, as portrayed in Kenyan writer and critic Ngugi wa Thiong’o’s Petals of Blood (1991), in order to understand how the novel represents the relation between cultural domination and the economic exploitation of the land and the work force, carried out by the British in Kenya, and detect, in the characters’ trajectories, the existence or not of forms of agency capable of minimizing the impacts of colonialism. My claim is that the novel builds a dialectics between violence and redemption, woven in the narrative through the formation of new subjectivities and the asymmetrical co-existence of different modes of life, to which the natural environment presents opposed values. |
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