Luchino Visconti, a mediator between fashion, memory and cinema
The present article deals with the relation between the cinema of Luchino Visconti, especially in three works, Morte a Venezia (1971), The Damned (1969) and Ludwig (1973) and the costume as one of the constitutive elements of his narrative and his cinematography, as well as an interface between fash...
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| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2016 |
| País: | Brasil |
| Recursos: | Associação Brasileira de Estudos e Pesquisas em Moda (Abepem) |
| Repositorio: | Revista dObra[s] |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.dobras.emnuvens.com.br:article/480 |
| Acesso em linha: | https://dobras.emnuvens.com.br/dobras/article/view/480 |
| Access Level: | acceso abierto |
| Palavra-chave: | Movie Visconti Fashion Costume Memory. Cinema Moda Memória. |
| Resumo: | The present article deals with the relation between the cinema of Luchino Visconti, especially in three works, Morte a Venezia (1971), The Damned (1969) and Ludwig (1973) and the costume as one of the constitutive elements of his narrative and his cinematography, as well as an interface between fashion and memory and analysis of the collections created by designer labels Chanel e Miu Miu as of movies. |
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