To write is to listen - an essay on the voices in « Por visões »
By problematizing the relationship between writing and speaking in theatre making, the article, from a practical-theoretical perspective, reconstructs the process of creating the show Por visões by Cia. Passo a 2 de Teatro. It is based on the author's experience, as a playwright and director in...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2025 |
| País: | Brasil |
| Institución: | Universidade do Estado de Santa Catarina (UDESC) |
| Repositorio: | Urdimento (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai::article/26187 |
| Acceso en línea: | https://www.revistas.udesc.br/index.php/urdimento/article/view/26187 |
| Access Level: | acceso abierto |
| Palabra clave: | texto de teatro escrita fala oralidade escuta theater text writing speech orality listening texto teatral escritura habla oralidad escucha |
| Sumario: | By problematizing the relationship between writing and speaking in theatre making, the article, from a practical-theoretical perspective, reconstructs the process of creating the show Por visões by Cia. Passo a 2 de Teatro. It is based on the author's experience, as a playwright and director invited to the project, that establishes a reflection on listening as a prism for writing, as a form of self-displacement. The stages and procedures used in the preparation of the text are described and analyzed, seeking a broader understanding of the gesture of writing, in its intimate connection with orality, and of what today can be called a theatrical text. |
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