“She sat at the window”: women’s portrait in Joyce’s (1914) and Chopin’s (1894) short stories

In this research we analyse the construction of the female identity in the short story “Eveline”, written by James Joyce in 1914, and “The Story of an Hour”, written by Kate Chopin in 1894. Also, we identify if and, if so, how the male characters present in both narratives influence the attitudes of...

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Detalles Bibliográficos
Autores: Gonçalves, Davi, Mendes, Lenise
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2020
País:Brasil
Institución:Universidade do Estado da Bahia (UNEB)
Repositorio:Babel (Alagoinhas)
Idioma:inglés
OAI Identifier:oai:revistas.uneb.br:article/8292
Acceso en línea:https://revistas.uneb.br/babel/article/view/8292
Access Level:acceso abierto
Palabra clave:Joyce
Chopin
Stasis
Feminism
Estase
Feminismo
Descripción
Sumario:In this research we analyse the construction of the female identity in the short story “Eveline”, written by James Joyce in 1914, and “The Story of an Hour”, written by Kate Chopin in 1894. Also, we identify if and, if so, how the male characters present in both narratives influence the attitudes of their protagonists, Eveline and Louise, as well as what they might mean for the construction of both tales. Our main theoretical framework is that of gender studies, inasmuch as women’s role in literature has usually been defined by men who are marked by a tendency of reproducing patriarchal and male chauvinist patterns and objectifying female identity. Feminist literary criticism, thus, gives room for women to be seen in literature, as well as it gives a place of speech for women to fight against these consolidated patterns of phalocentrism. Our findings demonstrate how Joyce’s “Eveline” (1914) and Chopin’s “The story of an hour” (1894), although written over one hundred years ago, have still much to say concerning the patterns of women representation in a patriarchal society. Our hope, with this article, is to raise awareness for the relevance of gender studies as an analytical lens at a moment when the urgency of changing women’s role in society seems to have become unquestionable.