Effects of Presence and Performance on Lola Arias’s theatre

In the current media and spectacles cultural context, the expansion of performance into different practices challenges theatre to create alternative models to approach human experience. As a response, theatre appeals to the sensitive and empathic contact of bodies with the intimacy of affective conn...

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Detalles Bibliográficos
Autor: Pinta (Universidad de Buenos Aires - Buenos Aires, Argentina), María Fernanda
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2022
País:Brasil
Institución:Universidade Federal do Rio Grande do Sul (UFRGS)
Repositorio:Revista Brasileira de Estudos da Presença
Idioma:español
OAI Identifier:oai:seer.ufrgs.br:article/39236
Acceso en línea:https://seer.ufrgs.br/index.php/presenca/article/view/39236
Access Level:acceso abierto
Palabra clave:Lola Arias
Argentine Theatre
Documentary Theatre
Theatrical Installation
Performance
Teatro
Estudios Culturales
Théâtre Argentin
Théâtre Documentaire
Installation Théâtrale
Teatro Argentino
Teatro Documental
Instalación Teatral
Descripción
Sumario:In the current media and spectacles cultural context, the expansion of performance into different practices challenges theatre to create alternative models to approach human experience. As a response, theatre appeals to the sensitive and empathic contact of bodies with the intimacy of affective connections, with biographical stories and their respective  projections in the social and historical realms. This work  proposes an investigation of the theatrical work of Argentine artist Lola Arias in dialog with this performative model of  contemporary culture.