DeNora’s Beethoven: the context is in the text
Study on the impact of the deNOra’s book (1995) and discussion of the concepts that come to light, from a sociological approach to the phenomenon of “creative genius”; the emergence of the concept of “serious music” as opposed to entertainment; strategies of occupation of a particular cultural field...
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| Tipo de documento: | artigo |
| Estado: | Versão publicada |
| Data de publicação: | 2012 |
| País: | Brasil |
| Recursos: | Universidade Federal de Minas Gerais (UFMG) |
| Repositório: | Per Musi |
| Idioma: | português |
| OAI Identifier: | oai:periodicos.ufmg.br:article/39966 |
| Acesso em linha: | https://periodicos.ufmg.br/index.php/permusi/article/view/39966 |
| Access Level: | Acceso aberto |
| Palavra-chave: | Beethoven Canon Viennese classicism Reception context Music and society Tia deNora Cânone Classicismo vienense Contexto de recepção Música e sociedade Clasicismo vienés Contexto de recepción Música y sociedad Tía deNora |
| Resumo: | Study on the impact of the deNOra’s book (1995) and discussion of the concepts that come to light, from a sociological approach to the phenomenon of “creative genius”; the emergence of the concept of “serious music” as opposed to entertainment; strategies of occupation of a particular cultural field and its applications in new contexts. all factors that elected Beethoven are inoperative in a world where new rules are imposed on artistic production, as much as on the production of goods in general: this is the main contribution of this book, which remained unnoticed by most of the reviews published at the time of his publication. |
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