A grande arte de desaparecer: Rubem Fonseca e os documentários do Ipês
In the years leading up to the 1964 military coup, the Institute for Research and Social Studies (Instituto de Pesquisas e Estudos Sociais - Ipes) conducted a number of propaganda activities aimed at destabilizing Joao Goulart's administration and thereby paving the way for a rupture of democra...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2017 |
| País: | Brasil |
| Institución: | Universidade Federal de São Paulo (UNIFESP) |
| Repositorio: | Repositório Institucional da UNIFESP |
| Idioma: | portugués |
| OAI Identifier: | oai:repositorio.unifesp.br:11600/53461 |
| Acceso en línea: | https://doi.org/10.14393/ArtC-V19n35-2017-2-04 https://repositorio.unifesp.br/handle/11600/53461 |
| Access Level: | acceso abierto |
| Palabra clave: | 1964 military coup Ipes Rubem Fonseca golpe de 1964 Ipês |
| Sumario: | In the years leading up to the 1964 military coup, the Institute for Research and Social Studies (Instituto de Pesquisas e Estudos Sociais - Ipes) conducted a number of propaganda activities aimed at destabilizing Joao Goulart's administration and thereby paving the way for a rupture of democracy. Among these activities was funding, and supervising the creation and distribution of a series of documentaries that, screened throughout the country, were intended to disseminate liberal ideology and, at the same time, strengtheninggroups that wanted to oust Goulart at any cost. The authorship of these documentaries'scripts is controversial: a number of researchers, supported by documents and testimonies, attribute it to writer Rubem Fonseca, while others reject this hypothesis. A formal comparison between the documentaries and the work Fonseca produced in the same period has not yet been established. This essay outlines, with its limits, a comparison. |
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