Acoustic experience in the devotional scenology
This article discusses the acoustic universe of a scenic practice strongly anchored in devotion to São Benedito. Black tradition music and its relations with popular religiosities on the north coast of São Paulo are thought of as a context from which scenic practices are carried out. From sound, mus...
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| Format: | article |
| Status: | Published version |
| Publication Date: | 2024 |
| Country: | Brasil |
| Institution: | Universidade Federal do Rio Grande do Sul (UFRGS) |
| Repository: | Revista Brasileira de Estudos da Presença |
| Language: | English |
| OAI Identifier: | oai:seer.ufrgs.br:article/143424 |
| Online Access: | https://seer.ufrgs.br/index.php/presenca/article/view/143424 |
| Access Level: | Open access |
| Keyword: | Marimba Congada Acoustic Experience Sound Ethnocenology Language of Devotion |
| Summary: | This article discusses the acoustic universe of a scenic practice strongly anchored in devotion to São Benedito. Black tradition music and its relations with popular religiosities on the north coast of São Paulo are thought of as a context from which scenic practices are carried out. From sound, musical and morphological aspects we investigated the connections between symbolic elements of different religiosities present in representations of wars between mouros (Moors) and cristãos (Christians). |
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