Uma expressão do trágico nietzscheano na vida e obra de Vincent van Gogh (1853 a 1890)

The aim of this work was to analyze the expressions of the tragic in Vincent van Gogh, understanding tragedy as an ontological phenomenon that runs through the painter's daily life, his interpersonal relationships, since childhood, youth and adulthood, and that finds its full expression in his...

ver descrição completa

Detalhes bibliográficos
Autor: Cação, Felipe Quartim Barbosa
Formato: tesis de maestría
Estado:Versión publicada
Fecha de publicación:2021
País:Brasil
Recursos:Pontifícia Universidade Católica de São Paulo (PUC-SP)
Repositorio:Repositório Institucional da PUC_SP
Idioma:portugués
OAI Identifier:oai:repositorio.pucsp.br:handle/24542
Acesso em linha:https://repositorio.pucsp.br/jspui/handle/handle/24542
Access Level:acceso abierto
Palavra-chave:CNPQ::CIENCIAS HUMANAS::HISTORIA
Tragédia
Vida e arte
Gogh, Vincent van [1853-1890]
Nietzsche, Friedrich Wilhelm [1844-1900]
Tragedy Life and art
Descrição
Resumo:The aim of this work was to analyze the expressions of the tragic in Vincent van Gogh, understanding tragedy as an ontological phenomenon that runs through the painter's daily life, his interpersonal relationships, since childhood, youth and adulthood, and that finds its full expression in his art. For this investigation of tragedy in the painter's ontology, we submit the vast material that makes up his production, both pictorial and personal correspondence, to the lens of Nietzschean concepts about tragedy. Therefore, it was here to analyze the expressions of the tragic in the life and work of the Dutch painter, understanding tragedy as an inherent aspect of his work, to whose configuration contribute not only the particularities of his life, but also the tragicity experienced and analyzed by several authors of that same historical moment. However, it was in Nietzsche's texts on Greek tragedy that we glimpsed, in Van Gogh's production, tragedy as an ontological component in his production. A characteristic that is based on the daily life of his life, as an expression of his particular interaction with his time, but which also expresses an aspect of the societal generosity of that historical moment, in an accelerated transformation towards "modernity", before which individuals feel thrown into a whirlwind, at the mercy of circumstances