A fundamentação ontológica da estrutura ética do juízo estético no primeiro-romantismo alemão: para construção histórico-sistemática do Juízo Infinito
Reading the fragments of Schlegel and Novalis in Blüthenstaub (2016), the article seeks to understand how the romantic thinkers ontologize Kant's argument regarding aesthetic judgment. To do this, we read the Analitik des Schönen, from the Kritik der Urteilskraft (1974b), to understand how the...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2025 |
| País: | Brasil |
| Institución: | Universidade de São Paulo (USP) |
| Repositorio: | Cadernos de Filosofia Alemã (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:revistas.usp.br:article/218102 |
| Acceso en línea: | https://revistas.usp.br/filosofiaalema/article/view/218102 |
| Access Level: | acceso abierto |
| Palabra clave: | Juízo Infinito Novalis Schlegel Kant Primeiro-romantismo alemão Unending Judgement Early German Romanticism |
| Sumario: | Reading the fragments of Schlegel and Novalis in Blüthenstaub (2016), the article seeks to understand how the romantic thinkers ontologize Kant's argument regarding aesthetic judgment. To do this, we read the Analitik des Schönen, from the Kritik der Urteilskraft (1974b), to understand how the ethical structure of aesthetic judgment, suggested in Kant only by the as-if clause, receives an ontological interpretation in Novalis and Schlegel. We thus develop the figure of unending judgment, a concept with which we seek to circumscribe the triple movement by which Schlegel and Novalis ontologically ground the ethical structure of aesthetic judgment. |
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