A fotografia e a palavra no livro de artista
We propose a reflection about the intermedia relationship text/image in a selection of works situated at the intersection between photobook and artist’s book. This reading is based on a pragmatic classification of the types of intersemiotic transposition of image into text proposed by Leo Hoek: tran...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2021 |
| País: | Brasil |
| Institución: | Universidade Federal de Minas Gerais (UFMG) |
| Repositorio: | Repositório Institucional da UFMG |
| Idioma: | portugués |
| OAI Identifier: | oai:repositorio.ufmg.br:1843/54080 |
| Acceso en línea: | https://doi.org/10.14195/2182-8830_9-1_2 http://hdl.handle.net/1843/54080 https://orcid.org/0000-0001-9471-3607 |
| Access Level: | acceso abierto |
| Palabra clave: | Fotolivro Livro de artista Intermidialidade Escrita e imagem Narrativas visuais Livros artísticos Fotografia Arte e fotografia Arte e literatura |
| Sumario: | We propose a reflection about the intermedia relationship text/image in a selection of works situated at the intersection between photobook and artist’s book. This reading is based on a pragmatic classification of the types of intersemiotic transposition of image into text proposed by Leo Hoek: transmedia relationship, multimedia discourse, mixed discourse, and syncretic discourse. Each of these relationships is characterized by a type of text/image interaction, presented in ascending order: transposition, juxtaposition, combination, and fusion. The article also briefly discusses the difference between intersemiotic transposition and intersemiotic translation. |
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