Contemporary lines in the escrevivências of Conceição Evaristo and Lubi Prates
This study focuses mainly on analyzing the contemporaneity of poetic language that permeates the poems “Da menina, a pipa” (From the girl, the kite), by Conceição Evaristo [1946]; and “Para este país” (For this country), by Lubi Prates [1986]. In this reading, the notion of “escrevivência” (Evaristo...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2025 |
| País: | Brasil |
| Institución: | Universidade Federal de Pernambuco (UFPE) |
| Repositorio: | Revista Investigações (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:oai.periodicos.ufpe.br:article/265153 |
| Acceso en línea: | https://periodicos.ufpe.br/revistas/INV/article/view/265153 |
| Access Level: | acceso abierto |
| Palabra clave: | poesia contemporânea autoria feminina negra escrevivência memória contemporary poetry black female authorship memory poesía contemporánea autoría femenina negra memoria |
| Sumario: | This study focuses mainly on analyzing the contemporaneity of poetic language that permeates the poems “Da menina, a pipa” (From the girl, the kite), by Conceição Evaristo [1946]; and “Para este país” (For this country), by Lubi Prates [1986]. In this reading, the notion of “escrevivência” (Evaristo, 2023) will be used to understand how the aforementioned texts bring to the fore elements of Brazilian social life, taking into account the collapse of aesthetic stereotypes in national lyric poetry. In this way, the discussion corroborates not only the insertion of the black female voice in Brazilian poetry but also discusses a lyricism that enters into crisis with the reproducibility of poetic art. |
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