Retrofuturism, space and media-body: steampunk and tomorrow’s memory
This paper presents the partial results of a study supported by CNPq. It problematizes the steampunk scene constitution; it aims to describe and analyze this scene and its theatricalities, observing the connections of the spatial-temporal ambience, the body-media of young steamers and the memory pro...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2018 |
| País: | Brasil |
| Institución: | Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
| Repositorio: | Revista FAMECOS: Mídia cultura e tecnologia |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.revistaseletronicas.pucrs.br:article/29017 |
| Acceso en línea: | https://revistaseletronicas.pucrs.br/revistafamecos/article/view/29017 |
| Access Level: | acceso abierto |
| Palabra clave: | Retrofuturism. Steampunk. Tomorrow’s memory. Retrofuturismo. Steampunk. Memoria del futuro. Retrofuturismo. Steampunk. Memória do Futuro. Cultura cenas jovens memória |
| Sumario: | This paper presents the partial results of a study supported by CNPq. It problematizes the steampunk scene constitution; it aims to describe and analyze this scene and its theatricalities, observing the connections of the spatial-temporal ambience, the body-media of young steamers and the memory production. The steampunk scene has been little studied in Communications with this problematization and proposed objectives. Based on authors of the Tartu-Moscow Semiotic Theory, as Iuri Lotman, on thinkers of memory-related studies as Maurice Halbwachs, Paul Ricoeur, Andreas Huyssen and Mary Carruthers – and in an ethnographic research carried out in the events Anime Festival Winter, in Belo Horizonte/MG, and Steamcom, in Paranapiacaba/SP – it aims to demonstrate that the memory arising from these groups, comes out as tomorrow’s memory, considering the creative dimension of the retrofuturism. |
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