Vieira Brandão´s Nationalism in his Tocata n°1 (Etude n° 4) for solo piano
This text presents a discussion ofBrazilian composer José Vieira Brandão´s(1911-2002) attitudes towards the Braziliannationalist movement as well as his engagement with this trend as shown in his theoretical/analytical writings presented as aDocent Thesis in 1949. Brandãos´s posture is clearly expre...
| Autores: | , |
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| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2017 |
| País: | Brasil |
| Recursos: | Universidade do Estado de Santa Catarina (UDESC) |
| Repositorio: | Orfeu (Florianópolis) |
| Idioma: | portugués |
| OAI Identifier: | oai::article/10254 |
| Acesso em linha: | https://periodicos.udesc.br/index.php/orfeu/article/view/1059652525530402012017098 |
| Access Level: | acceso abierto |
| Palavra-chave: | Nacionalismo Musicalidade Brasileira Piano José Vieira Brandão Tocata 1 Brazilian Musicality Nacionalism |
| Resumo: | This text presents a discussion ofBrazilian composer José Vieira Brandão´s(1911-2002) attitudes towards the Braziliannationalist movement as well as his engagement with this trend as shown in his theoretical/analytical writings presented as aDocent Thesis in 1949. Brandãos´s posture is clearly expressed in his compositions.This particular analysis focuses on Tocatan° 1 (Etude n° 4) dedicated to Villa-Lobos,eminent representative of the nationalistmodernist aesthetics. Considering howclosely Brandão worked with Villa-Lobosas his preferred pianist, we aim at revealing shared sociocultural and musical concerns. With this purpose in mind, we evokeAgawu´s (2009) topics adapted to theanalysis of Latin American music by Plesch (1996) and to Brazilian music by Piedade (2013). Our analysis of this work seeksto reveal how Brandão´s “new aestheticstrends” (BRANDÃO, 1949) is a musical reification of the Brazilian nationalist ideology.Our reading of Brandão´s Tocata n°1 withits characteristic elements of Brazilian music, considers the work not only as a deeply felt homage to his mentor Villa-Lobosbut also as a legitimate representative ofthe political and artistic zeitgeist. |
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