La Malinche sob a visão de José Limón
In this article I intend to approach, from the work José Limón and La Malinche: The dancer and the Seed Dance of Patricia, the show of La Malinche, authored by José Limón, Mexican choreographer. This book, which contains articles by various academics focused on scenery, costumes, music, choreographi...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2020 |
| País: | Brasil |
| Institución: | Universidade de São Paulo (USP) |
| Repositorio: | Caracol (São Paulo. Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:revistas.usp.br:article/162959 |
| Acceso en línea: | https://www.revistas.usp.br/caracol/article/view/162959 |
| Access Level: | acceso abierto |
| Palabra clave: | Malinche José Limón Chicanas Feminismo Literatura Colonização mexicana Mexican colonization Feminism Literature |
| Sumario: | In this article I intend to approach, from the work José Limón and La Malinche: The dancer and the Seed Dance of Patricia, the show of La Malinche, authored by José Limón, Mexican choreographer. This book, which contains articles by various academics focused on scenery, costumes, music, choreographic notes and historical content about a musical piece, will allow us to learn about the construction of its indigenous protagonist: Malinche, who was with Hernán Cortés during the capture of the Mexico and, since then, stands out in historiographic, academic and literary works, not only in Mexico, but in different parts of the world. |
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