Hybridism and pop culture: aliens as religious icons in Ayahuasca and non-Ayahuasca contexts
Aliens have become a prolific pop icon, especially throughout the 20th century. Western culture has seen the proliferation of first-hand accounts of contacts with beings from other planets, while the imagination has echoed and nurtured such an icon. As one result, alleged aliens have reinforced and...
| Autores: | , |
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| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2020 |
| País: | Brasil |
| Recursos: | Pontifícia Universidade Católica de São Paulo (PUC-SP) |
| Repositorio: | Rever (São Paulo. Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.pkp.sfu.ca:article/51888 |
| Acesso em linha: | https://revistas.pucsp.br/index.php/rever/article/view/51888 |
| Access Level: | acceso abierto |
| Palavra-chave: | Espiritualidade Nova Era Hibridismo cultural Crença Alienígenas Ayahuasca Spirituality New Age Cultural hybridism Belief Aliens |
| Resumo: | Aliens have become a prolific pop icon, especially throughout the 20th century. Western culture has seen the proliferation of first-hand accounts of contacts with beings from other planets, while the imagination has echoed and nurtured such an icon. As one result, alleged aliens have reinforced and expanded their religious dimension, especially among people for whom traditional religions no longer have sufficient appeal. A central process for the consolidation of aliens as pop icons and holders of religious functions and roles among diverse people is cultural hybridization, which is discussed in this article – based on Peter Burke’s theory (2001) – by comparing contexts that make use of the ceremonial drink Ayahuasca and that do not. |
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