On monuments and political allogories: the Griffith and the Taviani’s allegories
This text focuses the allegories relationsship between cinema, architecture, religion, art, family, Europe and Griffith’s Intolerance. The confrontations occur, in unforgettable chenging plans, in which the two paternal figures tell their stories and what we can expect from them.
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2009 |
| País: | Brasil |
| Institución: | Universidade Federal de Goiás (UFG) |
| Repositorio: | Comunicação & Informação (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.revistas.ufg.br:article/7484 |
| Acceso en línea: | https://revistas.ufg.br/ci/article/view/7484 |
| Access Level: | acceso abierto |
| Palabra clave: | Cinema.Babilônia.allegories.Grffith.Tavianis Cinema.Babilônia. alegorias.Griffith.Tavianis |
| Sumario: | This text focuses the allegories relationsship between cinema, architecture, religion, art, family, Europe and Griffith’s Intolerance. The confrontations occur, in unforgettable chenging plans, in which the two paternal figures tell their stories and what we can expect from them. |
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