The cancellation of the novel: a critical reflection on reading and censorship
The novel, as a modern genre, has been the target of vigilant and censorious eyes since its emergence, and attempts to “cancel” its reading in contemporary Brazil can be traced back to the historical and ideological motivations and contexts of the 19th century, when it was first published. In this c...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2025 |
| País: | Brasil |
| Institución: | Real Gabinete Português de Leitura (RGPL) |
| Repositorio: | Convergência Lusíada (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.convergencia.emnuvens.com.br:article/1371 |
| Acceso en línea: | https://www.convergencialusiada.com.br/rcl/article/view/1371 |
| Access Level: | acceso abierto |
| Palabra clave: | Cancelamento Romance Igreja Católica Censura História literária Cancellation Catholic Church Censorship Literary history Cancelación Iglesia católica Historia literaria Annulation Église catholique Censure Histoire littéraire |
| Sumario: | The novel, as a modern genre, has been the target of vigilant and censorious eyes since its emergence, and attempts to “cancel” its reading in contemporary Brazil can be traced back to the historical and ideological motivations and contexts of the 19th century, when it was first published. In this context, this article briefly discusses the history of the novel in Brazil and its relationship with literary control practices in the 19th century, and then draws a parallel with the current national scenario, in which the “cancellation” of books in Brazilian schools has become a new censorship mechanism, removing works considered subversive or questioning certain ethical and moral values exalted by figures condemning the genre. By analyzing this historical and current relationship between literature and censorship, the article suggests that, despite the changes in the political and social contexts in the country, the (or attempted) control over reading and narratives continues to be a reflection of the ideological tensions in society, so literature, and particularly the novel, continues to be an instrument of defiance of social norms and imposed powers. |
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