Joana Lopes' contributions to an ethical-poetic-aesthetics of the performing arts
This article is a mix of a report on professional experiences, subsequent reflections and dialogue with bibliographies relating to part of Joana Lopes' professional career. The article has the character of a memory of lived experience, of a posthumous tribute to Joana Lopes as a director-pedago...
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| Tipo de documento: | artigo |
| Estado: | Versão publicada |
| Data de publicação: | 2025 |
| País: | Brasil |
| Recursos: | Universidade do Estado de Santa Catarina (UDESC) |
| Repositório: | Urdimento (Online) |
| Idioma: | português |
| OAI Identifier: | oai::article/25481 |
| Acesso em linha: | https://www.revistas.udesc.br/index.php/urdimento/article/view/25481 |
| Access Level: | Acceso aberto |
| Palavra-chave: | Joana Lopes mulheres nas artes teatro dança coreodramaturgia women in the arts theater dance choreodramaturg mujeres en las artes danza |
| Resumo: | This article is a mix of a report on professional experiences, subsequent reflections and dialogue with bibliographies relating to part of Joana Lopes' professional career. The article has the character of a memory of lived experience, of a posthumous tribute to Joana Lopes as a director-pedagogue who is still little recognized in the singularity of her multiple, pioneering and precursory professional career. It is important here to discuss how much, in its creative process, the ethical-poetics co-realized among research people emerged in a contextualized aesthetics, complex, in a cultural miscegenation praxis with a transdisciplinary, complex, multifactorial and intersectional focus. |
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