The public's conceptions in the cinematographic industrial thought
This article examines several conceptions of publicas developed by directors, producers and critics related to the Brazilian cinema between the decades of 1920 and 1970. In the search for understanding the possibilities of the Brazilian production, this was one of the issues that mobilized the filmi...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2008 |
| País: | Brasil |
| Institución: | Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
| Repositorio: | Revista FAMECOS: Mídia cultura e tecnologia |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.revistaseletronicas.pucrs.br:article/4419 |
| Acceso en línea: | https://revistaseletronicas.pucrs.br/revistafamecos/article/view/4419 |
| Access Level: | acceso abierto |
| Palabra clave: | Brazilian cinema film Industry film history Cinema brasileiro indústria cinematográfica história do cinema |
| Sumario: | This article examines several conceptions of publicas developed by directors, producers and critics related to the Brazilian cinema between the decades of 1920 and 1970. In the search for understanding the possibilities of the Brazilian production, this was one of the issues that mobilized the filmic context, since the public opinion was seen as a key to making films that achieve good ticket selling. From the belief in the Brazilian patriotism, passing through the prospect of the need to inculcate national values in the people, to the search to understand what are the cultural preferences of viewers, we have a framework of varied ideas about the public. |
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