Modernidade e estética do choque em Walter Benjamin
Modernity and the aesthetics of shock in Walter Benjamin. This paper aims to build a critical understanding of the new forms of artistic perception that emerge from the problem of the crisis of experience within modernity. In fact, the axis of the crisis of modernity diagnosed by Benjamin lies in th...
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| Tipo de recurso: | tesis de maestría |
| Estado: | Versión publicada |
| Fecha de publicación: | 2024 |
| País: | Brasil |
| Institución: | Universidade Federal do Maranhão (UFMA) |
| Repositorio: | Biblioteca Digital de Teses e Dissertações da UFMA |
| Idioma: | portugués |
| OAI Identifier: | oai:tede2:tede/5762 |
| Acceso en línea: | https://tedebc.ufma.br/jspui/handle/tede/5762 |
| Access Level: | acceso abierto |
| Palabra clave: | percepção, choque; modernidade; experiência; Walter Benjamin e Charles Baudelaire; perception, shock; modernity; experience; Walter Benjamin and Charles Baudelaire. Filosofia |
| Sumario: | Modernity and the aesthetics of shock in Walter Benjamin. This paper aims to build a critical understanding of the new forms of artistic perception that emerge from the problem of the crisis of experience within modernity. In fact, the axis of the crisis of modernity diagnosed by Benjamin lies in the idea that man is no longer capable of communicating or changing experiences supported by the values previously inherited from tradition. It is in this scenario that new forms of experience emerge, in the face of which modern man must construct a new sensibility supported by new categories, such as the crowd, audiovisual media, and the metropolis. This paper addresses a fundamental issue in Benjamin's thought: the perception of shock through Baudelaire's lyric poetry, understood as a historical-social artistic production that inspired Benjamin's original reflection on the transformations of perception in the modern era. |
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