Apropriação tecnológica em espaços domésticos de produção: um modelo de análise
Digital technologies have transformed the organization of material culture production within the domestic space. In the case of the home-based garment making in Brazil, this transformation takes place in a context marked by the prevalence of female, individualized, informal work and with limited con...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2023 |
| País: | Brasil |
| Institución: | Universidade Federal de Viçosa (UFV) |
| Repositorio: | Revista Oikos: Família e Sociedade em Debate (Viçosa. Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.periodicos.ufv.br:article/14791 |
| Acceso en línea: | https://periodicos.ufv.br/oikos/article/view/14791 |
| Access Level: | acceso abierto |
| Palabra clave: | Technological Appropriation Home-Based Garment Making Digital Garment Pattern-Making Open Source Software Apropiación Tecnológica Confección en Domicilio Patronaje Digital Software Libre Apropriação Tecnológica Confecção em Domicílio Modelagem Digital de Vestuário Software Livre |
| Sumario: | Digital technologies have transformed the organization of material culture production within the domestic space. In the case of the home-based garment making in Brazil, this transformation takes place in a context marked by the prevalence of female, individualized, informal work and with limited conditions of access, use and adaptation of technologies. This article proposes a model for the study of the relationships that sewists establish with digital technologies. The model is being developed within the framework of a doctoral research that studies the appropriation of open source software for garment pattern-making in domestic space. The construction of the model its made through the dialogue between different theoretical approaches, the home sewing history in Latin America and the recursive interaction with the social field. The model has guided the construction of data collection instruments and the analysis of the technological appropriation process. |
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