Uma contribuição à crítica literária brasileira: Antologia de literatura estrangeira, de Patrícia Galvão e Geraldo Ferraz, no Diário de S. Paulo
The main purpose of this paper is the first year of publication of the biobibliographic studies, prepared by Geraldo Ferraz (1905-1979) and Patrícia Galvão (1910-1962) in the literary supplement of the Diário de S. Paulo, entitled Anthology of foreign literature, published between November 24, 1946...
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| Formato: | tesis de maestría |
| Estado: | Versión publicada |
| Fecha de publicación: | 2018 |
| País: | Brasil |
| Recursos: | Pontifícia Universidade Católica de São Paulo (PUC-SP) |
| Repositorio: | Repositório Institucional da PUC_SP |
| Idioma: | portugués |
| OAI Identifier: | oai:repositorio.pucsp.br:handle/21667 |
| Acesso em linha: | https://tede2.pucsp.br/handle/handle/21667 |
| Access Level: | acceso abierto |
| Palavra-chave: | Diário de S. Paulo (Jornal) - Suplemento literário Ferraz, Geraldo [1905-1979] - Crítica e interpretação Galvão, Patrícia [1910-1962] - Crítica e interpretação Literary supplement of the Diário de S. Paulo Ferraz, Geraldo [1905-1979] - Criticism and interpretation Galvão, Patrícia [1910-1962] - Criticism and interpretation CNPQ::LINGUISTICA, LETRAS E ARTES::LINGUISTICA::LINGUISTICA APLICADA |
| Resumo: | The main purpose of this paper is the first year of publication of the biobibliographic studies, prepared by Geraldo Ferraz (1905-1979) and Patrícia Galvão (1910-1962) in the literary supplement of the Diário de S. Paulo, entitled Anthology of foreign literature, published between November 24, 1946 to November 28, 1948. This research aimed to investigate a sampling of 9 articles that point to a historical moment of tension between the review, whose anecdotal-biographical traits were common in the field of journalism when it comes to literary criticism in the 1940’s, and specialized criticism, most commonly found within the academy. The hypothesis we propose is that this critique is articulated in three strands: firstly, the one whose discursive dominance resides in the sheer dissemination of the work and the author, passing through an intermediary model between review and critical academic commentary, and finally, the third model in which the specialized critical discourse prevails, taking advantage of an aesthetic-literary nature. For this, this study was structured based on the qualitative research to describe, to understand and to explain the forces that stress the critical project developed by the couple of organizers of the column. In this sense, the essay by Flora Süssekind (2002), Rodapés, tratados e ensaios, a formação da crítica brasileira moderna, is the starting point of this research, as well as the works developed by Afrânio Coutinho (1987, 2001, 2004) to understand the phenomenon of Brazilian literary criticism in the 1940s. In addition to contributing to the study of Brazilian literature, this project aims to retrieve the articles published in the column and, thus, to observe how the work of the literary critic was being performed in a period in which systematic academic criticism was being forged as the mainstream |
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