Confluências e ressonâncias da Teoria Crítica dos Processos de Criação de Cecilia Salles nas trilhas da literatura: relato sobre Encadeamentos
The purpose of this article is to revisit the formulation route of the critical theory of creation processes of Cecilia Almeida Salles, highlighting some basic topics, and to reflect about them, through the analysis of its resonances on the work of creative agents and researchers. Firstly, we presen...
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| Format: | article |
| Status: | Published version |
| Publication Date: | 2023 |
| Country: | Brasil |
| Institution: | Universidade de São Paulo (USP) |
| Repository: | Manuscrítica (Online) |
| Language: | Portuguese |
| OAI Identifier: | oai:revistas.usp.br:article/216587 |
| Online Access: | https://revistas.usp.br/manuscritica/article/view/216587 |
| Access Level: | Open access |
| Keyword: | Cecilia Salles Creation processes Creation networks Critical theory of creation processes Artistics and Critical reports Processos de criação Redes de criação Teoria crítica dos processos de criação Relatos artísticos e críticos |
| Summary: | The purpose of this article is to revisit the formulation route of the critical theory of creation processes of Cecilia Almeida Salles, highlighting some basic topics, and to reflect about them, through the analysis of its resonances on the work of creative agents and researchers. Firstly, we present a brief introduction of Salles’s critical theory of creation processes. Then, we highlight the confluence points of its foundations and the research on the creative process of Encadeamentos (poetry), analysed by Anna Luiza Campanhã de Camargo Arruda Bauer, as well as our research on Edgard Braga’s (poet / artist) and Paulo César Pinheiro’s (composer, poet, novelist and playwriter) literary works, emphasizing the repercussion of creation networks on artistic praxis. |
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