Videostaging resources in the intermedial dramaturgy. Analysis of The Mountain, by Agrupación Señor Serrano
In contemporary theatre the videostage has consolidated in the stage plastics as the integration of audiovisuals on stage with multiple purposes. Agrupación Señor Serrano is a Spanish company which incorporates the video into its spectacles under the premise of intermediality, in other words, the mi...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2021 |
| País: | Brasil |
| Institución: | Universidade de São Paulo (USP) |
| Repositorio: | Caracol (São Paulo. Online) |
| Idioma: | español |
| OAI Identifier: | oai:revistas.usp.br:article/180849 |
| Acceso en línea: | https://www.revistas.usp.br/caracol/article/view/180849 |
| Access Level: | acceso abierto |
| Palabra clave: | Teatro multimedia Dramaturgia Videoescena Agrupación Señor Serrano Teatro intermedia Multimedia theatre Dramaturgy Videostage Intermedial theatre |
| Sumario: | In contemporary theatre the videostage has consolidated in the stage plastics as the integration of audiovisuals on stage with multiple purposes. Agrupación Señor Serrano is a Spanish company which incorporates the video into its spectacles under the premise of intermediality, in other words, the mise-en-scène is articulated by means of hybridization of theatre and audiovisuals. It uses resources from the popular culture summed up to an acid critical sense which is developed through simultaneity, juxtaposition, alternance and multiple points of view shown by the videostage. This paper presents an analysis of the intermediality of its spectacle The Mountain (2020). To do so, the dramaturgical functions of the video are discriminated, in order to present how the insertion of audiovisuals in the spectacular dramaturgy enhances the theatricality by creating a theatrical form from the permanent dialogue between stage and videostage |
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