Magela Ferrero’s Photographic Poems: writing and image resistance in Personas que tienen hambre (2011)
This article focus on an oeuvre by Uruguayan artist Magela Ferrero from a literary standpoint. As we consider it a kind of poetry conformed by space,texts and photography, we have chosen an intermedial perspective as a suitable tool to grasp it and, we think, expand literary criticism horizons. Weal...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2019 |
| País: | Brasil |
| Institución: | Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
| Repositorio: | letrônica |
| Idioma: | español |
| OAI Identifier: | oai:ojs.revistaseletronicas.pucrs.br:article/34949 |
| Acceso en línea: | https://revistaseletronicas.pucrs.br/letronica/article/view/34949 |
| Access Level: | acceso abierto |
| Palabra clave: | Intermediality Literature Photography Latin-American arts. intermedialidad literatura fotografía artes latinoamericanas Estudos multimeios Literatura Fotografia Arte latino-americana. |
| Sumario: | This article focus on an oeuvre by Uruguayan artist Magela Ferrero from a literary standpoint. As we consider it a kind of poetry conformed by space,texts and photography, we have chosen an intermedial perspective as a suitable tool to grasp it and, we think, expand literary criticism horizons. Wealso may think this kind of work part of relative new genres such as expand literature o literature hors du livre. |
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