The strange filmic universe of H. P. Lovecraft
This paper tries to make a brief survey of some incursions of the fictional universe of H. P. Lovecraft in cinema. Creator of a teratological pantheon, varied profane objects and a pessimistic philosophical perspective pointing to the insignificance of the human before a terrifying cosmos, the write...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Brasil |
| Institución: | Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
| Repositorio: | Revista FAMECOS: Mídia cultura e tecnologia |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.revistaseletronicas.pucrs.br:article/42364 |
| Acceso en línea: | https://revistaseletronicas.pucrs.br/revistafamecos/article/view/42364 |
| Access Level: | acceso abierto |
| Palabra clave: | Lovecraft Cinema Literature Horror Cine Literatura |
| Sumario: | This paper tries to make a brief survey of some incursions of the fictional universe of H. P. Lovecraft in cinema. Creator of a teratological pantheon, varied profane objects and a pessimistic philosophical perspective pointing to the insignificance of the human before a terrifying cosmos, the writer ends up becoming a broad material for film appropriations. While a massive use of lovecraftian elements is gaining larger contours in films with good reviews and box office, the transpositions of the author’s narratives seem to inhabit a more specific niche of films, especially in a scope considered more trash of the audiovisual. Through the study of some authors and some more well-known and emblematic examples, we will demonstrate this strange paradox and we will try to test some possible hypotheses. |
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